Genre: Symphony
Composer: BEETHOVEN
Title: Symphony No. 7 in A major op. 92
The list was called "the incarnation of the rhythm" and the word "incarnation of the martial arts" was so well known that the quotation was too old to be quoted. However, this rhythm of the song and the elements of the dance are the most important factors in the eventfulness of the symphony, and it depends on the success of these factors in the interpretation of the song.
Such Beethoven's message is faithful to the score, but he can find sf (Sporthande, especially strong) and ff (Fortissimo, stronger than Forte), which emphasize timpani and brass, There is a huge climax that appears twice in the yen fff (Forte Shimoshi; stronger than ff).
Composition Year: Fall of 1811 ~ May 13, 1813
Place of composing: bin
Publication / edition: 1816
Tribute, instrument: dedicated to Earl of Fris. The war between Austria and France and the demonstration with the Tereshine party were a great burden to the composer, but since then the leisure life in Teplitz has become more and more motivated. He composed the Symphony No. 7 at this time. Wagner calls this song "the sanctification of dance."
Year of publication: Unlisted: April 20, 1813, published: December 8, 1813
Place of premiere: Private Rudolph the Great House, public: Vinh University Auditorium
Premiere: Conducting the composer
According to Beethoven's sketch book, the seventh symphony seems to have been launched in 1811 at the latest. It is said that it began to be made in earnest in 1812. The sketch of the second movement was found in the composition of the string quartet 59-3, which preceded it in 1806, and it was probably originally intended to be used in the string quartet. The completion of this piece is surely in 1812. It is now Berlin, so it is written on the cover of the autograph sheet in the National Library of Shia: <7 Symphonie 1812 ... 13 ten>.
Beethoven was scheduled to have an open concert in February 1813, but it could not be realized, and the unofficial premiere took place on April 20, 1813, with the eighth symphony in the residence of Rudolf the Great in Vienna. On December 8, 1813, he was publicly presented at Beethoven 's Charity Concert for the Warrior of Hanwoo, hosted by Melchel, who invented the metronome at the University of Vienna. In this concert, the so-called "War Symphony", "Victoria's Revolution and Wellington's victory" op. 91 and Symphony No. 8 op. 93 was premiered together.
There was a reason why the patriotic momentum was high due to the nature of the concert, but the premiere was a great success. Although the Symphony of War was more popular than the Symphony No. 7, it was popular in the seventh, and the second movement with a beautiful melody was even received. The Symphony of War and Symphony 7 were so popular that they eventually replayed on December 12, four days later, and the ensuing concert was held in January and February the following year. This is one of the most popular songs in the world. It is a song that is familiar to the ear, and is accompanied by a wealth of wit (3 movements) peculiar to Beethoven, I think that the appeal of the appeal would appeal to the public easily.
Instrumentation / vocalist / characters
Flute 2, Oboe 2, Clarinet 2, Façade 2, Horn 2, Trumpet 2, Timpani, 5 prefectures
Composition of movements
1 movement Poco sostenuto - Vivace, sonata type. Xuzhou's Pokosoftenuto (4/4 beat) was developed as the theme of his main wife Vivace (A major, 6/8 beat). The first theme is presented as a flute, and the second theme is played as a flute and violin. The development department adopts a polygonal structure, and the reproduction part follows the general format.
2 movements Allegretto, A forged, 2/4 beats, free three-part format. Part 1 Theme is presented as the first violin. The second part is changed into the A major, and the theme is played with clarinet and façade. The third part changes the first part topic.
3 movements Presto, F major, 3/4 beat, movement corresponding to Scherzo.
4 movements Allegro con brio, A major, 2/4 beat, sonata type. The first and second themes are presented as violins and borrowed from Russian folk songs. The development section is composed mainly of the first theme. The performer moved to the B flat major and played the first theme. The second theme is reproduced as a cello. After that, I went to Coda and finished the song.
Commentary
1st movement - Poco sostenuto - Vivace (12:43) 4/4 Beats, sonata type with lead-in
Introduction (1 - 62 bars, 0:00 - 4:23) It starts with the total orchestration of Tutti (f) and calmly goes up to pp. The first orchestral explosion is made by ff. After the song by Oboe, the orchestra explodes with ff, and the ascend of the strings accompanied by it is decorated with sf of the pipes (33-35). Followed by the part that serves as the introduction of Vivace.
The first topic (63 - 118 bars, 4:24 - 5:36) is presented by the flute and the oboe in a consistent rhythm in the first movement, The flute sings a light first theme (paragraphs 63-68). As the theme is moved from the woodwind to the violin, the brass and the timpani participate in the ff and the horn and the violin sing the first theme to the trumpet and the timpani and the rhythm to the bottom bass (87-91). Since then, it has become like a rage. - The second theme (119 - 151 bars, 5:36 - 6:18) The second theme played with the flute and the first violin is also dynamic. It is followed by a rhythm part consisting of double-eighth notes (cf. 336-342) followed by a clarinet, a bassoon, and an oboe-flute, followed by a krishendo ff. - End (152 - 176 bars, 6:19 - 6:47) Continuously playing the rhythm mentioned above by wind and timpani with ff, and conclude with a ff which is repeated nervously according to the first theme. This suggestion is repeated on the sheet music, but most of the previous 70s recordings are omitted.
It develops by repeating the rhythm in front of development section (177-27 segment, 6:48 - 8:55) and makes a huge climax led by the trumpet in the 254th node, and it leads to the next reproduction part by the prefecture .
After reproducing faithfully the first theme and the second theme, the strong climax by the rhythm of the first movement is made ff, suddenly the volume is reduced by p, .
Coda (391 - 450 bars, 11:24 - 12:43) The main rhythm and the first theme makes a coda that is exciting, and ends with a splendid and delightful finish.
2 Movement - Allegretto (9:49) 2/3 Beat, Rondo Type
The first theme part (1 - 101 bar, 0:00 - 3:45) The wooden part gives a sense of stability by ringing two words in harmony, and then presents the theme as if the viola, cello and contrabass are attracted. On this subject soon to be sad, Viola and cello sing a beautiful melody (23-33). It is based on these two flows. The woodwind is also participating in the crissal, but the brass and timpani participate in the ff and climax, and gradually become more and more frequent.
The second subject (102 - 149 bar, 3:46 - 5:26) The gentle melody by the clarinet and bassoon plays the second theme, and as the prefecture participates in the Kris Sendo, It appears.
The first theme (fugal attachment) (150 - 224 words, 5:27 - 7:45) The first theme and melody appear at the same time. The first violin and the second violin are developed as fugal winds and increase the number.
The second part (reproduced) (225 - 254 words, 7:46 - 8:53) The final part is reproduced in the second part, and developed into the part of the coda.
The first theme (last presentation) (255-278 segment, 8:54 - 9:49) Ends with the first theme.
3 movements - Presto (8:24) 3/4 beat, two trio scales
Scratch Theme (1 - 148 bars, 0:00 - 1:24) It suddenly flares away as f, and starts to turn into a rapidly changing subject. As soon as it is crissened, ff makes brass and timpani repeat the rhythm of nine quadrants at the same time, making a cool atmosphere (88-98th quadrant) and going to trio with confirming 3 rhythms of quarter note. Although it is instructed to repeat the scherzo, it is common that it does not repeat like the presentation part of the first movement.
Trio (149 - 236 words, 1:25 - 3:35) The trio is based on the melody that the clarinet sings as tempo slows. After the big climax of the second half, he goes back to Scherzos, then goes back to Scherzos via the trio as follows. Representing the Sketch topic (237 - 408 words, 3:36 - 4:54)
In the latter half of the verse, the ff part of the quadruplet in presto is the quadrature of the quadruplet in four successive times It ends after the ringing.
4 movement - Allegro con brio (6:33) 2/4 time signature, sonata type
The presentation section (1 - 125 bars, 0:00 - 8:24) First, after presenting the theme rhythm of the four movements strongly, the total stoppage is repeated, and after that, it starts to become a crazy first subject. The first theme by the violin is sf on the bass, and with the sf, the wind instruments are stubbornly pierced, and then the rhythm of the four movements (8th to 13th measure). This rhythm is emphasized repeatedly mainly on the brass and timpani. - Second theme (63 - 103 bar, 1:05 - 1:36) Following the first theme part concluded with f, the second theme, forged, is presented by the violin. - End (104 - 125 bars, 1:37 - 1:48) As ff, all wind instruments are driven into the crazy crucible, and the theme rhythm of the four movements is repetitively repeated.
The development department (126 - 223 bars, 1:49 - 3:32) has been developed around the first theme.
Jae Hyun (224 - 340 bar, 3:33 - 5:05) After reproducing the first theme and second theme at the recreation department, it leads to Koda.
Koda (341 - 467, 5:06 - 6:33) Coda is giving a melody to the first violin and the second violin, while the timpani and the trumpet punch in f, After the stage explosion, it finally reaches the peak of fff, then goes back to the second fff through the crissander. Soon it ends in grandeur with all the orchesties of fu.
댓글