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classic music/Robert Schumann

Schumann : Overture, Scherzo and Finale op. 52

by 고자길동 2018. 4. 3.



Genre: Orchestral Song

Composer: Schumann

Title: Overture, Scherzo and Finale op. 52



Composition Year: 1st, 1841, 2nd, 1845

Place of composition: Leipzig

Published / edited: 2nd edition: 1846 Leipzig's Kistner publishing company

Dedication to the Johannes Josephus Herman Verhulst. Symphony No. 1 in favor, followed by Symphony No. 4 and this song. In the summer of 1845, it was revised with the focus on the finale part because the first stage of the first stage was not good.

The first year: December 6, 1841, Second: December 4, 1845

Place: 1st place: Leipzig, 2nd place: Dresden

Starring: 1st: Ferdinand David, 2nd: Ferdinand Healer




Instrumentation / vocalist / characters


Flute 2, Oboe 2, Clarinet 2, Fapo 2, Horn 2, Trumpet 2, Trombone 3, Timpani, 5 prefectures





Composition of movements


Overture. Andante con moto,

E Forged 4/4 Beginning of the Xuzhou section. At first, the violin presented motivation, followed by another stringed instrument. Major departments proceed with Allegro, E forged 2/2 beat. The main part is composed of sonata form and the first theme is presented by violin. The violin presented the second theme derived from Xuzhou beyond the passage. The Cordeta part also uses the first theme. The development part is developed around the first theme and leads to the recreation part.


Scherzo. Vivo,

It is composed of E major, 6/8 beat, and 3 part format. First, present the theme with a violin. The middle trio is played in D flat major 2/4. Part 3 appears again in Part 1, D flat major 2/4. In Coda, the first theme of the overture part appears as woodwind.


Finale. Allegro molto vivace,

E second major 2/2 beat, and sonata form. The first theme is presented with four rhythms, a dot rhythm and a rhythm. First, the first violin plays and then the other instruments play. The second theme related to the first theme is presented as a violin. Cordeta is presented centered on woodwinds and is repeated at the end of the presentation section. The development department develops around the motive of the first theme. After the recital, Cordetta will also focus on the first theme.

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