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classic music/Haydn

Hayden : String Quartet No.34 in B flat major, Op.33-4, Hob.III-40

by 고자길동 2018. 1. 17.



Genre: Chamber Music

Composer: Hayden

Title: String Quartet No.34 in B flat major, Op.33-4, Hob.III-40




Composition Year: 1781 (by Hayden's letter)

Place of composition: Eszterháza

Publications / Editions: April 13, 1782 Wien's Artaria Press

Tribute, instrument: dedicated to the Russian Grand Pavel Pavel Petrovich.

Year of release: Unknown

First place: Unknown

Starring: Unknown




Instrumentation / vocalist / characters


Violin 2, viola, cello





Composition of movements


(0:00) 1 movement Allegro moderato, B flat major 4/4 beat, sonata type. The first topic of the presentation section is mainly motivated by three words. Since the second theme, Kodeta has been omitted and it has moved to development. The first theme begins with the E flat major and proceeds with the first phrase of the transitional G minor. After that, the first theme returns to E flat major again. The recurrence part is followed by the first theme, the episode, but the composition of B flat major is not changed.


(4:36) 2 movement Scherzo. Allegretto, B flat major 3/4 beat (Trio B flat forged). The trio alternately plays two violins, a viola and a cello.


(7:00) 3 movement Largo, E flat major 3/4, 2 theme Rondo type. The first theme consists of 2 phrases with 4 words. Beyond the passage of the fourth segment, the second theme is presented by the second violin as B flat major. Kodeta changed to E flat major. Then the first theme is transformed and Coda uses the Cordetta theme.


(10:34) 4 movements Finale. Presto, B flat major 2/4 beat, Rondo type. The Rondo theme is a two-part format with two repetition symbols. The phrase consists of A (B flat major) - B (D minor) - C (F major) - A (B flat major). The first subject is composed of A (E flat major) - B (B flat major) - A (E major major) in two part form with two repetition symbols. The second sub - heading also consists of a two - part format with repeating symbols as the A - B - A phrases. Coda is developed around the theme of Rondo, and the last phrase is played as Pizzicato.

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