Genre: Chamber Music
Composer: Hayden
Title: String Quartet No.27 in D major, Op. 20-4, Hob. III-34
Composition Year: 1772 (by handwriting sheet)
Place of composition: Eszterháza
Publications / Editions: First Edition: Schwarfelder, Paris, 1774. Handwriting: Vinh Kaew Association Library.
Tribute, instrument: The first movement consists of sonata, and the second movement consists of variation. The third movement consists of a minuet in the form of a singer, and the fourth movement consists of a sonata.
Year of release: Unknown
First place: Unknown
Starring: Unknown
Instrumentation / vocalist / characters
Violin 2, Viola, Basso (cello)
Composition of movements
1 movement Allegro di molto, D major 3/4 beat, sonata type. The first part of the first theme is centered on the motivation, and progresses with the triplet sound of the progressive part. The second theme is a new melody, and the latter phrase is used in the development department. The recital starts with the first phrase of the first theme after finishing the E minor of the end of the power section.
2 movement is poco adagio affetuoso, D for 2/4 beats, variant form. The subject is a two-part format with 8 bars and 10 bars each. The first three variants consist of a two-part format with a repetition symbol. During the performance of the song, the composition is composed of D-monotone without change.
3 Movement Menuetto. Allegretto alla zingarese, composed of two parts and composed of different accents with different accent. In the trio, the cello goes to the eighth note.
4 movement Presto scherzando, D major 4/4 beat, sonata form. The first theme is composed of three phrases, where the first part motivation is important, and the second half of the second phrase is performed in D minor. The course progresses in Canon form as the first part motive of the first theme. The second theme consists of two phrases. The power generation section starts with the beginning of the five segments that change from the G major to the E minor. The reappearance section reproduces the two phrases of the first theme, followed by the D-forged phrase of the second theme. This is followed by the reproduction of the passage.
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